Context & Background: The Echoes of 2008 and the Specter of Smith

The year 2008 remains etched in collective memory as a period of unprecedented economic turmoil. The collapse of Lehman Brothers, the bailout of major financial institutions, and the ensuing global recession sent shockwaves across continents, exposing vulnerabilities in the very fabric of capitalism. It was a time when the invisible hand of the market seemed to falter, leading many to question the fundamental tenets of economic theory and the ethical compass of the financial world.

It is against this backdrop that “Make It Happen” unfolds. The play, making its debut at the Edinburgh Festival Fringe, a renowned platform for experimental and cutting-edge theatre, seeks to dissect the anatomy of the 2008 crisis. While the specifics of the theatrical narrative remain somewhat under wraps, the central conceit of featuring Adam Smith as a ghostly narrator or commentator offers a rich vein of dramatic potential. Smith, a figure whose ideas have profoundly shaped modern economic thought, becomes an unlikely guide through the labyrinthine corridors of high finance. His ghost, a man out of time, is tasked with observing and perhaps even commenting on the very system that, in part, owes its foundation to his own groundbreaking work.

The choice of Brian Cox for this pivotal role is, in itself, a masterstroke. Cox, with his commanding presence, his ability to convey both immense power and subtle vulnerability, and his undeniable Scottish heritage, is perfectly positioned to inhabit the spirit of Adam Smith. His recent, highly acclaimed role as Logan Roy, the ruthless patriarch of a media empire, has cemented his status as an actor capable of embodying complex, morally ambiguous characters. This experience undoubtedly lends itself to portraying a historical figure whose ideas, while foundational, have also been interpreted and applied in ways that have generated significant debate and criticism.

The Edinburgh Festival Fringe, known for its eclectic mix of established and emerging talent, provides an ideal setting for a play that aims to provoke thought and spark conversation. The festival’s ethos of artistic freedom and its global reach ensure that a production like “Make It Happen,” with its weighty subject matter and star power, is poised to capture significant attention. The play’s success will not only be measured by critical reception but also by its ability to engage audiences with a period of economic history that continues to cast a long shadow over contemporary society.

In-Depth Analysis: Brian Cox as the Conscience of Capitalism

Brian Cox’s portrayal of Adam Smith is the bedrock upon which “Make It Happen” is built. As the spectral embodiment of a foundational economic theorist, Cox is tasked with a delicate balancing act. He must represent not only the intellectual legacy of Smith but also imbue the character with a human gravitas that allows the audience to connect with the abstract concepts of economics on a visceral level. Early reports from the Edinburgh festival highlight Cox’s success in this endeavor, painting a picture of a performance that is both intellectually rigorous and emotionally captivating.

The ghost of Adam Smith, as envisioned by the playwright, offers a unique opportunity to re-examine his theories in the context of modern financial markets. Smith’s concept of the “invisible hand” – the idea that individuals pursuing their own self-interest inadvertently benefit society – is a cornerstone of capitalist ideology. However, the 2008 crisis seemed to expose the limitations, or perhaps the perversions, of this principle. When unchecked self-interest leads to systemic collapse, what becomes of the invisible hand? Cox, through his nuanced performance, likely explores this very tension. He doesn’t just recite Smith’s words; he embodies the philosopher’s wrestling with the implications of his own legacy.

One can imagine Cox, perhaps through monologues or direct address to the audience, bridging the centuries. He might express a sense of bewilderment, or even dismay, as he witnesses the complex financial instruments and speculative excesses that were so instrumental in the 2008 meltdown. His spectral presence allows for a meta-commentary, a looking back from beyond the grave at the unfolding of an economic system he helped to conceptualize. This “ghostly” perspective grants him a unique authority, a detachment that permits a clearer, albeit perhaps more critical, examination of human behavior and market dynamics.

The Scottish philosopher’s presence also provides a grounding element. Amidst the often-impersonal machinations of banking and investment, Smith, and by extension Cox, brings a humanistic perspective. The play is not just about abstract numbers and market fluctuations; it is about the people who are affected by these forces – the homeowners facing foreclosure, the workers losing their jobs, the economies teetering on the brink of collapse. Cox’s ability to convey profound empathy and a deep understanding of human struggle, honed through years of diverse roles, is likely crucial in reminding the audience of the real-world consequences of financial decisions. He might serve as the play’s conscience, reminding the audience of the ethical dimensions often obscured by the pursuit of profit.

The play’s title, “Make It Happen,” is itself suggestive. It could refer to the ambition and drive that fuels economic growth, or it could carry a more ironic undertone, hinting at the disastrous outcomes when that ambition goes awry. Cox’s performance is undoubtedly key to unlocking these layers of meaning. He has the gravitas to deliver lines that can be interpreted as both inspirational and cautionary, depending on the context of the unfolding narrative. His command of the stage, his powerful voice, and his piercing gaze are all tools he can deploy to make the audience feel the weight of economic history and the enduring relevance of Adam Smith’s thought, even as they grapple with the failures of the modern financial system.

Pros and Cons: A Ghostly Appraisal of the Production

The critical reception for “Make It Happen,” particularly concerning Brian Cox’s performance, appears overwhelmingly positive. His “hauntingly good” portrayal of Adam Smith is consistently cited as a standout element, providing a strong anchor for the play’s exploration of the 2008 financial crisis.

Pros:

• Brian Cox’s Stellar Performance: The “Succession” star is lauded for his commanding and nuanced portrayal of Adam Smith. Critics highlight his ability to imbue the historical figure with both intellectual weight and emotional depth, making the complex subject matter accessible and engaging. His presence is described as a “bright spot” and a primary draw for the production.
• Compelling Thematic Resonance: The play tackles a significant and impactful historical event – the 2008 banking crunch. By using Adam Smith as a spectral guide, the production offers a unique and thought-provoking perspective on the principles of capitalism, the nature of economic systems, and their human consequences.
• Edinburgh Festival Fringe Platform: The premiere at the Edinburgh Festival Fringe provides a prestigious and internationally recognized platform for the play. This setting attracts a discerning audience and significant media attention, offering excellent exposure for a production with such a strong premise and lead actor.
• Intellectual Stimulation: For audiences interested in economics, history, and the interplay between them, “Make It Happen” promises a stimulating intellectual experience. The opportunity to see the ideas of a foundational economist brought to life in relation to a modern crisis is inherently intriguing.

Cons:

• Potential for Complexity: While the subject matter is important, the intricacies of the 2008 financial crisis can be daunting for some audience members. If not handled with clarity and compelling storytelling, the play might risk becoming too academic or inaccessible to those without a strong background in economics.
• Balancing Historical Accuracy and Dramatic License: The success of the play will depend on how effectively it balances the historical context of Adam Smith’s work with the dramatic needs of the narrative. Over-reliance on didactic exposition could detract from the emotional impact.
• Thematic Overwhelm: The 2008 crisis is a multifaceted event. Condensing its causes, consequences, and ideological underpinnings into a theatrical format, even with a spectral guide, presents a significant challenge. The play needs to maintain focus to avoid feeling superficial or overwhelming.
• Reliance on Cox’s Star Power: While a major asset, an over-reliance on Brian Cox to carry the entire production could be a double-edged sword. The supporting cast and the overall direction of the play will be crucial in ensuring a well-rounded and cohesive theatrical experience, rather than simply a vehicle for a star performance.

Key Takeaways

• Brian Cox’s performance as the ghost of Adam Smith in “Make It Happen” is a significant critical success, lauded for its depth and impact.
• The play utilizes the 2008 banking crunch as its central theme, offering a unique perspective through the lens of a historical economic theorist.
• The production aims to explore the enduring relevance of Adam Smith’s ideas in the context of modern financial systems and crises.
• “Make It Happen” premiered at the prestigious Edinburgh Festival Fringe, indicating its ambition and potential for broad appeal.
• The play raises questions about capitalism, self-interest, and the human cost of economic policy.

Future Outlook: The Enduring Echoes of Smith and the Lessons of 2008

The critical acclaim and buzz surrounding “Make It Happen” suggest a promising future for the production. Following its run at the Edinburgh Festival Fringe, it is highly probable that the play will seek further engagements in major theatrical hubs like London’s West End and Broadway. Brian Cox’s star power, combined with a timely and intellectually stimulating subject matter, makes it a prime candidate for a successful transfer.

The enduring fascination with the 2008 financial crisis, coupled with a renewed interest in the foundational principles of economics, ensures that “Make It Happen” will continue to resonate with audiences. In an era where economic inequality and the stability of financial markets remain pressing concerns, the play offers a valuable opportunity for reflection and discussion. Adam Smith’s ghost, as embodied by Cox, serves as a timeless observer, prompting us to consider whether the lessons of 2008 have truly been learned.

Furthermore, the success of this production could pave the way for more theatrical explorations of economic history and theory. The stage, often seen as a medium for personal drama, has a proven capacity to engage with complex societal issues. “Make It Happen” may well inspire a wave of similar works that seek to demystify economic concepts and highlight their profound impact on human lives. The potential for this play to spark meaningful conversations about financial responsibility, ethical capitalism, and the balance between individual ambition and collective well-being is substantial.

The future of “Make It Happen” will likely be shaped by its ability to translate the powerful impact of Cox’s performance and the intellectual weight of its themes into a sustained theatrical presence. As economies continue to evolve and face new challenges, the spectral wisdom of Adam Smith, delivered through the formidable talent of Brian Cox, may prove to be more relevant than ever.

Call to Action: Engage with the Economic Specter

For those fortunate enough to be in Edinburgh or planning to attend the festival, securing tickets for “Make It Happen” is a highly recommended endeavor. Witnessing Brian Cox’s acclaimed performance as Adam Smith offers a unique opportunity to engage with a critical period of economic history through the art of theatre. Even if you are not a scholar of economics, the power of Cox’s acting and the play’s exploration of human consequences are sure to provide a captivating and thought-provoking experience.

Beyond the immediate theatrical experience, consider delving deeper into the ideas of Adam Smith. Reading “The Wealth of Nations” or exploring contemporary analyses of the 2008 financial crisis can provide valuable context and enhance your understanding of the themes presented in the play. Engage in discussions with friends, colleagues, and family about the economic principles that shape our world and the ethical considerations that should guide financial decision-making.

The success of productions like “Make It Happen” underscores the importance of art in illuminating complex societal issues. Support theatre that challenges, educates, and provokes thought. Seek out opportunities to experience performances that bring history and ideas to life, fostering a more informed and engaged citizenry. Brian Cox, as the ghost of economic past, invites us to look back in order to move forward, to understand the foundations of our current economic landscape and to consider how we might truly “make it happen” for a more stable and equitable future.